Joe also commented that bars five and six of the solo, page 3, may be the first recording of half and whole step bends on the three draw being used skillfully - prior to this, much of what harp players did was first position and didn't milk the bends.
Joe's own take on this one and two hole percussive rhythm is to be found in his study track, Lock Jaw Blues.
Did we say "percussive" enough times to make our point?!
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