Remember to focus on his Four Foundational Pillars:
- Blues breathing
- Embouchure
- Repertoire
- Body (holding the harp correctly and good posture)
Secondly Joe stressed that "making music" is the higher purpose; as opposed to "jamming". Yes, Little Walter and Big Walter played all the time in songs, but that is hard to do well. Ask yourself, "What can I do to make this musical situation better?" Be a team player, an accompanist. Have the discipline to be a repetitive part of the rhythm section with these options:
- Organ sustaining - follow the chord changes
- Train whistle sustaining - play softly and with bluesy effect
- Shuffle chording - see Walter Horton for great examples of this and note that you "force" this over all the chord changes
- Chord bombs - these are stacatto and rhythmic; check out Horton on Feznecky
- Sequenced riff - the most advanced accompaniment technique
Class Notes
- Joe's Harlem Avenue Lounge Harmonica Party is back next week, August 7.
Destination Unknown
The Roots Duo of Joe Filisko & Eric Noden have released their new CD, Destination Unknown. Read more and get your copy here.
And h/t to B1 friend and harp player Andy Willis on the terrific cover art!
- Grant Kessler, B1 Blues Crew
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